I think the use of long single takes in a movie are fantastic. The film '1917' directed by Sam Mendes uses this extensively. The film about WW1 will be released this Christmas. I haven't seen this film, so don't have an opinion about it, but the shots look amazing.
The cinematographer is the master of the art Roger Deakins.
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I'm completely self-taught. I learn film making by reverse engineering DVD's of movies and doco's in my head as I watch them play. Figuring out how the scenes are lit. What crane was used and how it tracked. Where the camera was placed. What lenses were used and why? How the actors moved. How the scene was composed.
The second source has been reading every ASC magazine from cover to cover and then reading them again.
The third source has been watching "The making of" docos that are often included on DVD's. And reading any books that come with the film. I now have a great and growing collection of these books mainly purchased used from Amazon and library surplus book sales.
The fourth source has been watching YouTube-style videos from web sites like Stan Winston School of Character Arts, BAFTA, Weta Workshop, etc and today Wolfcrow.
So here is a great video description from Wolfcrow of some of Roger Deakins methods. Roger is probably my favourite cinematographer.
David Mullen ASC is an American cinematographer with a bevy of credits under his belt.
He is also very generous with his time answering questions on a number of web site forums.
I often follow his thread on Red User and listen in on the discussion. Its a great way to learn from the pros and always sparks a trip to the library to get yet another book out or searching on the Internet.
I really love this shot from Manure which he worked on.